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She laughs, composes herself, takes a breath. Pauline est la créatrice du webzine culturel The Arts Factory Magazine. Her words are jerky and swallowed, as though she's trying to suck them back as soon as she's uttered them, and she sometimes misses out vital phrases. Bob here. Neo Conceptual Art .. Explore. He can talk to anyone' - but they didn't get it together until four years ago. Wearing's childhood was spent in Birmingham, where she lived with her parents and two siblings. There, she was forced to speak. Gillian Wearing was born in Birmingham, England in 1963. 'I dunno. Gillian Wearing: The idea of a show at the Whitechapel was muted in 2006 with Iwona, just after Doris Krystof from K20 Museum in Düsseldorf had also invited me to do a survey show. 1997. As curator Erin O’Toole explained in an interview, “The lore of Arbus is something a lot of younger women artists of Wearing’s generation were attracted to.” She says she thinks of much of her work as portraiture, but portraits where the subject has some personal voice, 'because it's too easy for a photograph to make people look like something they're not'. There's nothing particularly attention-seeking about her (unlike, say, Tracey or Damien): she seems a bit shy, though not unfriendly. The first sculpture of a woman by a female artist in London’s Parliament Square was unveiled to the public on Tuesday. You know that VW advert that shows a security guard, a harassed mother and others holding up a handwritten sign that says what they're supposedly feeling (the security guard's one says 'Sensitive', the mother's 'Sex Chocolate Sex Chocolate'). Gillian - still shy, still inarticulate, still interested in others and not in herself - shows just how eloquent lack of eloquence can be. Gillian, 36, has a young face and long, straight black hair, and she wears men's trousers and patterned shirts. For one of her earliest works included here she placed an advertisement in Time Out that later became the title: Confess All On Video. It's simplistic, but you could say that Gillian's teenage years and passions eventually turned themselves inside out and became her work. 'Next time,' she says, 'we should try and look nonchalant.'. People open up to Gillian Wearing. 'It's like I'm thinking more about my presence than I'm thinking about how you communicate.'. A renowned artist who was aligned with the YBAs in the '90s, but whose work was more socially directed, the 48-year-old Wearing makes portraits through fragmentary imagery and texts that test the emancipatory potential of public address. A retrospective of Gillian Wearing’s work ran from March 28 – June 17 at London’s Whitechapel Gallery and following quickly on its heels will be an exhibition at K20 Kunsthallsammlung NRW in Dusseldorf (September 8 – January 6, 2013). Language, schmanguage: Gillian stopped reading books at 14. I dunno what it is, but it's there and sometimes it can click when you see people.'. He says he hasn't met her family often enough to tell. Gillian didn't talk to her, but found her so inspiring that she made a work, Homage to the Woman with the Bandaged Face I Saw Yesterday Down Walworth Road , where she wrapped her own face up in bandages and walked the length of the Walworth Road, filming people's reac tions. That's why the picture of the girl on the sitting-room wall has the girl's own carefully rounded writing underneath it. Gillian Wearing: Me and Claude in Mirror, 2017 Posing as artists Diane Arbus and Claude Cahun, Wearing is able to explore another dimension of herself not found in the family portraits. Christine and Gillian became friends, went to Aston Villa football matches together. I know that you are a long way into it now; you have done so much research and preparation, … Sophie Risner. I still am. I'd rather see the countryside in a film; I stay in the car when people go for walks.') She huffs and puffs all the way. Gillian is at the back, in her rude-girl phase, hair and face just so, hin up, all bravado and no smiling. Gillian thought George's dance was just fantastic. But Michelle took even longer than Gillian to get ready. 'She hit me. Well, that's a, ahem, tribute to one of Gillian's photographic works: 1993's Signs that say what you want them to say and not signs that say what someone else wants you to say. Overall installed dimensions: 143.31 × 393.7 inches. Normal, but not at all underneath. And then, at 22, she managed to get a place on an art course, a B-Tech in Chelsea. In a Harper's Bazaar interview ahead of ... the idea of having Anderson wear prosthetic teeth). Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize.In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. 'Everyone's different. Not only does the actress meditate every morning to keep her #calm, but Gillian is also a fan of squeezing in exercise (when she can! It feels natural, moisturizing, smooth and silky and gives great coverage without making it feel like I’m wearing anything. He walked about 10ft away from us, stared straight through us. Her statue of the suffragist Millicent Fawcett stands in London's Parliament Square. In 2 Into 1 (1997), a pair of twins and their mother mouth works dubbed by each other. "I am less art critic and more art writer - I find the idea of critiquing art through writing difficult in a purely formalist fashion. Gillian Wearing: Family Stories “I’m so fascinated by our relationship with new technologies: how we adapt them to our need, and how they change us as human beings.” Gillian Wearing discusses social media, Danishness and rethinking the family model. She's like her subjects. In 2007 Wearing was elected as lifetime member of the Royal Academy of Arts in London. Gillian had a haircut for each. Too much perspective. Now, shy as she is, she will approach someone in the street just because they've 'got something about them'; talk to them, explain she's an artist, ask if they'd mind having their photo taken. A precursor to reality television, the programme had a considerable impact on Gillian Wearing, whose practice has, for around 20 years, looked at the construction of ‘real-life’ drama. Gillian Wearing We ask the artist about her favourite book, writer and work of art as well her thoughts on the most underrated— and overrated—cultural figures . Gillian Clare Wearing was born on 10 December 1963, in Handsworth, Birmingham, the middle child of three - older sister Jainne-Ann, younger brother Richard. Words by Paola Paleari Self Portrait, 2000 It is often surprising meeting people you are familiar with through images, both still and moving, as they never look quite as you imagine. She reveals details of people that mostly remain hidden; she talks to people - down-and-outs, kids - who mostly pass unnoticed. Kira Cochrane. Gillian Wearing, interview with Cay-Sophie Rabinowitz Parkett No. ', On the same day, Gillian met Christine Knight. But the recent crop of so-called YBAs (Young British Artists: Damien Hirst, Sarah Lucas, Tracey Emin, et al), while not exactly conventional, have always seemed more approachable, more understandable, less bohemian, isolated and disengaged from reality than the artist stereotype. It's not like you've taken a scene out of a film that everyone knows. Inspired by documentaries, reality television, and the artifice of theater, Wearing describes her … None of this may mean anything to you, but you'll have had a taste of Gillian's art, even if you've never been to one of her shows. I never worked out if he'd actually recognised us or not.'. Phaidon have a lovely book of Gillian's work: when I went through it, I thought she'd make a brilliant journalist, or documentary maker. 'And I did, and didn't actually say anything, just sort of nn uh yuh un uh.' Gillian Wearing Mask Masked fabric mask, wax sculpture, steel rod and wooden plinth 56 x 14 x 10 cm 22 x 5 1/2 x 3 7/8 inches plinth: 92 x 38 x 28 cm 2020 . Interview by . by Mary Pelletier May 18, 2017 May 18, 2017 Print 'Oh, I don't think anyone's ordinary,' says Gillian Wearing. And I change my mind about Gillian. Gillian can't speak properly. Gillian Wearing discusses social media, Danishness and rethinking the family model. Wearing works in a wide range of media, always provocatively plumbing the most ordinary human dramas for their extraordinary, often ironic, content. Gillian Wearing: 60 Minutes of Silence. She stayed in hostels and lived off Mars Bars. Interview by Waldemar Januszczak. Thanks for posting back.I also think that bending over a chair is a pretty ideal position really.Quite classic actually. Her 1992-93 photo series Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say involved passersby on the street who were given a piece of paper and a marker and asked to write what was on their mind. 6 minutes, 55 seconds (loop). Gillian Wearing: No, I didn’t know Eliot’s work very well at all before doing this. 'I was annoyed that the advertisers passed it off as though they'd had this unique idea. A renowned artist who was aligned with the YBAs in the '90s, but whose work was more socially directed, the 48-year-old Wearing makes portraits through fragmentary imagery and texts that test the emancipatory potential of public address. Gillian Wearing: In my studio, it sort of looks like an office with a very long table/desk, cabinets, a sofa and three office chairs. A renowned artist who was aligned with the YBAs in the ’90s, but whose work was more socially directed, the 48-year-old Wearing makes portraits through fragmentary imagery and texts that test the emancipatory potential of public address. And it had never occurred to me before because in the relationships I had with my friends it wasn't actually about talking so much, it was just a laugh.' Once, when she was temping, two of her work colleagues noticed: 'They said, "You can't form a sentence can you?" Much has been made of the way in which Gillian Wearing's work anticipated social media. She then photographed them holding their statements. Wearing is an established British conceptual artist who came to fame during the prominence of the YBA’s. Our interview with Turner Prize winner Gillian Wearing OBE. Now, such people inform her work: Gillian's art is other people. The messages were off-hand and funny, but every so often, a chasm opened up: “I signed on and they would give me nothing,” for instance, or “Help!” “In the early ’90s, there wasn’t the variety of social media that there is today for people to have a voice,” explains Wearing, who works out of a studio in Bethnal Green. Gillian Wearing CBE, RA (born 10 December 1963) is an English conceptual artist, one of the Young British Artists, and winner of the 1997 Turner Prize. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. 'When I was talking to you,' she says, 'I started thinking that the answers I was giving were just what I thought at that moment. 'It's all about death, isn't it?' Gillian Wearing The most comprehensive book on the British artist's frank, affecting work. School wasn't going too well. Gillian Wearing 'We need to approach life with the notion we are all mentally ill' Conceptual artist Gillian Wearing emerged in the 1990s as part of a bold generation of artists that helped define modern British art. She herself notes that it wasn't until she went to art school that she gave up putting so much artistry into her own appearance. Don’t Worry, You Will Be In Disguise. Words by Paola Paleari. She drinks hot Ribena; she talks about Big Brother. About the Turner Prize (she got very drunk, made 'a really embarrassing speech that no one could understand', went to the Atlantic Bar, and fell asleep; she didn't produce any work for about a year afterwards). 'She stood out. Much has been made of the way in which Gillian Wearing’s work anticipated social media. Although they were born almost seventy years apart and came from different backgrounds, remarkable parallels can be drawn between the two artists. Gillian Wearing Interviews 8 October – 12 November 2005 Opening times Mon - Sat, 11:00 - 18:00 Bloomberg SPACE 50 Finsbury Square London, EC2A 1HD gallery@bloomberg.net Sunday 4th September, 2005 - Gillian’s House Sacha Craddock: I want to talk to you about your commission for Bloomberg SPACE. Interview. I'm transfixed by people that I see that do stand out, whether they want to or not. Artwork page for ‘‘I like to be in the country’’, Gillian Wearing CBE, 1992–3 Wearing’s photographs explore how the public and private identities of ordinary people are self-fashioned and documented. She grew up closer to her mother (whom she describes as "loving and supportive") than her father, writing of their relationship: "There was a little bit of separation between my parents, though they didn't divorce until many years later. There was a moment, making the fourth series of The Crown, when Gillian Anderson was in full costume as Margaret Thatcher and her partner, the series writer Peter Morgan, came to … Gillian Wearing interview: the former YBA on bringing the statue of Millicent Fawcett to Parliament Square. Interviews Votre recherche : Nicholas Cullinan - Catherine Kate Middleton, duchesse de Cambridge arrive à l'exposition de Gillian Wearing à Londres le 28 mars 2017. On 9 March, the National Portrait Gallery opened Behind the Mask, Another Mask – a large exhibition of Gillian Wearing’s work in relation to the practice of French surrealist artist Claude Cahun. About music (she hated Pulp's Common People, but loved their last, dark LP). An undercover correspondent sending weird dispatches back from the frontline of the mundane. From there, she went to Goldsmiths, in 1987; two years behind the breakthrough Hirst Frieze year. There are 11 statues in Parliament Square. Her shyness is another important, though unseen, factor in her art. They make work that is about everyday life and everyday death (and they don't paint it in oils, which is possibly why they have so much time to socialise). But then, perhaps she's hit her post-adolescent mellow period: 'I was put on report on my first day in secondary school. We couldn't afford it'), places like Rumrunner, where pre-fame Duran Duran and Boy George hung out. 'I feel funny about people seeing work when I haven't quite worked out what to do with it.'. She won the BT Young Contemporaries Prize in 1993, the Turner Prize in 1997 and the Outreach Award at the Rencontres d’Arles Festival in 2005. As John Slyce puts it: “Gillian Wearing does not suffer the indignity of speaking for others.”. Contemporary Art. Fine, but what? The children speak of their mother’s tenderness but also the various ways she disappoints them. I like roller coasters, and we have a lovely time. After another advert - for a computer game - again drew on one of Gillian's pieces ( 2 into 1, where the voice of a mother and her sons are transposed, so that the boys speak the mother's words and vice versa), Gillian made a public protest. She shows Fawcett, faithfully enough, as a woman in an ankle-length dress (ornamented by a brooch cast from one she owned, a small note of added authenticity) and … PHOTO: GILLIAN WEARING IN LONDON, OCTOBER 2012. I hit a teacher.' Jainne-Ann has a perm and a saucy look; Richard is pulling faces and giving the thumbs up. She calls Michael out of the kitchen, asks him what he thinks. About 15 years old. What's nice about her is that, actually, she's an unusual, quite eccentric person, a 'proper' artist - but that's all hidden behind her easy-going mask of ordinariness. Intrigued? A powerful aspect of Wearing’s revelations is that they require a human presence. There are no pictures, anywhere, other than a large photograph of a young girl with her writing underneath, pinned to the sitting-room wall. Both these venues were about to undergo refurbishment which meant that a date couldn’t be fixed: therefore the dialogue would be ongoing. Feb 27, 2018 - This comprehensive survey, premiering new films and sculptures, shows how Wearing is both political and poetic, finding the extraordinary in us all. Why did you do it? Remain hidden ; she talks about Big Brother, 2018 ; as the figure the! Eventually turned themselves inside out and became her work the counter, to. Not unhappy about me asking ; it 's appropriated by ad agencies ; it on... Turner Prize in 1997, looking back how do you feel you know me Bit! Faces and giving the thumbs up two years behind the breakthrough Hirst Frieze year although they were ). 'It 's all about death, is n't it? ideal position classic... Up until then, she managed to get ready it just before you arrived. 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